Lei Benben is an artist with strong consciousness, in other words, she takes a simple and linear approach to think about her art style. Meanwhile, she makes artistic progression based on her nature senses and art awareness. This type of artists such as Lei benben is very rare now comparing to what we have seen in the early part of Chinese Art History. Nowadays, majority of the Chinese artists are very sophisticated with detailed plans. They work with galleries and advance strictly according to their plans. So to some extent, the artist have even replaced or taken some duties from the galleries.
Lei Benben used to be a dance teacher, her job was all about the notion of moving hands and feet. To her, since dancing was very much challenged by other commercialized art formats, it somehow makes dancing a purer and soulful expression. One day, Lei Benben picked up a camera by accident. Camera’s view to the world and the way it captures images amazed her. So she gave up her dance career, and turned for another challenging profession.
Lei Benben started her photograph career by using camera lenses on mobile phones. The style of her works is rather low key: the objects in her images give us the sense of joy with melancholy. The color of her images seemed to be purified to its original luster by the soft lights of a cloudy day, touching and vibrant.
I was instantly attracted by Lei Benben works when I saw her exhibition in Cans Book Shop in
I believe that her photograph works are random taken. As the result of her unique artistic style and sulky nature, the appearance of her works is destined to be personal and expressive. Lei Benben is an artist with linear logic and her characteristics determines that her works would not be flourished with splendid colors. However, her works are full of straightforward wisdom and beauty. The underlying interpretation of social morals can be sensed throughout her images. In addition, the art of dance plays a significant role in Lei Benben’s photography; it makes her works delicate and sensitive, even if the themes of the works are somehow heavy or serious. The element also contributes to the permeating, gentle and subtle appearance of her photography without overloaded contents.
Lei Benben’s mobile phone photography concentrates on story-telling rather than expressing opinions of displaying certain attitude. It is very similar to man traditional Chinese poetries that praise on nature phenomenon: the works only care about what is happening, not what would happen afterwards.
Lei Benben did some serious thinking over the series named “Where is my hair?” By studying images of “bald heads”, she attempted to draw a conclusion about the character of the “bold head”. However, her quest ended with an indefinite answer and ironically, the answer is yet another question: “what is the matter with being bald?”
A bald head could be a special code for certain groups or certain characters. For example, the bold head is commonly associated with prisoners, patients (those who are losing hair as result of chemotherapy), Buddhists, Punks, Skin Heads or artists. In this case, bald head actually becomes identity or the symbol of some groups with special characteristics. Some would obtain this special code or symbol to gain certain recognition or at the least the proof of an identity. Since the identity is such a hot topic in today’s society, the image of “bald head” drew Lei Benben’s attention and let her into a contemplative process to find her proof of identity. In the contemporary society, Bald Head is often linked to negative things. Sometimes, it is considered as a sign of politics, representing a class of people who are not respected politically or socially. In reality, the image of “bold head” has in fact been worshipped as an alternative subject by many. More and more people start to use the image to gain recognitions or identities. Along with other popular idols or distinctive personalities, the appearance of “bold head” makes the character identifying an even more intriguing and complicated process.
June 15th 2007